Vancouver is full of top interior designers, and Asia D at WowFactorInteriors is included on that list. Lucky for me, she is a big fan of my paintings. You can find her onInstagram too! This Steveston home had great light and lots of wall space to showcase my prints and original paintings. Featured above is Silver Lining, Fresh Bouquet and Sage Skies. Commissions always available.
Jericho Boats: a neutral sepia toned piece of creamy clouds of bronze, with bright white sails on the horizon.
Sage Skies is moody and melancholic, but those of us who live on the coast, know the feeling of cozy and welcoming. Turn on the fireplace and enjoy good company with this lovely painting. I love painting seascapes and our misty horizons, tofino trees and storm clouds that are dramatic in lighting and mood.
From my Organic Pattern Series, the depth of navy and watery aquas bring a modern feel to the bedroom.
Prairie Skies is from my prairie background, growing up in Alberta. This series of soft, fragility does not have today's modern resins. It is delicate, with charcoal drawing and powdery fresco texture on birch panels.
Trees have been a long standing theme of my work. I love the gestural movement, and the expression of the tree. I love the lighting that can move through dense leaves and highlight other branches.
The Martin Mars is a reocccuring theme as Aviation still plays a part in my life. My parents were pilots in South America, I live near the airport. I was fortunate to know Dan McIvor the father of the Martin Mars and have done many paintings in his honor.
For staging, rentals, purchase or commissions, please contact me or set up an appointment at my studio on Parker Street, studio #215
How do directors influence mood? It's not only our eyes that follow light, it affects our emotional relationship to the scene. The soft edges, the glow around a subject that directs your eye. The color scripting that tells us we are in a different location. I love cinematography that directs my mood. Although I'm big fan of backlighting, It can't always be hazy smoky orange halos around people's heads. How to create tension on a sunny day?
Send Us Smokes, a World War 1 short was recently awarded the grant from Hot Shots Shorts Contest. Some visual preparation took us to Port Moody Station museum to walk in a trench (built by hand, by volunteers --talk about authentic!) Send Us Smokes, written by Anaisa Visser, produced by Jon Warne, to be directed by Michelle Gwendolyn Kee touched me because it was about people.
In helping illustrate the director's vision, I wasn't romanticizing war in my concepts. I wanted to capture feeling we have for our family. Hoping they are ok, just wanting their life normalized, to be safe, with friends, laughter and belonging. Even if that life is in a war zone.
If you'd like to support the film in any way, please repost, tag or share! The film will be in production January 2017.
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NRA Question Period illustrates the ludicrous view that to solve gun violence, everyone should have a gun. American values, the fight for liberty somehow equals the freedom to own a gun. My work shows a twist on Rockwell’s American dream. I chose to illustrate a romanticized style of a dystopian future.
Artists have the ability to be imaginative activists, discussing ideas in a fresh direct way. It's 2015, shouldn’t we take on intellectual discussion responsibly ? Human rights, environment (an incredible artist discussing pollution in Asia) or Amy Schumer andSofia Vergara are putting their voice to #endgunviolence in #everytown. TedTalks open great discussion and debate about how to tackle public opinion on guns. 330 Mass shootings in 365 days this year -- over 50,000 violent incidents in in the USA and rising. Gun violence was something I wanted to approach in a visual manner.
“Avoid Religion or Political talk at Parties" is what I was taught. One social evening overseas, our party conversation was about the upcoming US election. We agreed the world should contribute their vote to the American Presidency. Giggling, “Why not?” If Superpowers directly affected the world – shouldn’t the global community contribute a tiny vote to foreign policy? Does the world need the divisiveness of #Trump? Will Trump #feeltheBern!!
Naïve, or idealistic? We didn’t feel judged. International news, witty banter, evocative ideas and real concern were enjoyable. Sure, we were solving the world problems with a martini – but one more voice means one more vote, a little push of political momentum. Expats from countries so far away from Canada politically and culturally, were connected. Voicing concerns feels so good, better than political apathy.
Everyone’s voice can start a dialogue.
Believing that corporations win, and the hearts of people don’t -- is debilitating, soul numbing. My digital pen is only as mighty as public opinion. Maybe I didn’t think of every angle, maybe I need more practice. Maybe more activists out there will inform my ideas. Why do so few people illuminate their concerns? Fear that you can’t stop? Can’t change your mind? Can’t do it well so don’t try?
Taking a risk for positive change is admirable.Jim Jefferies keeps his cool with paying guests. An entertaining take on gun control starting with The Port Arthur massacre in Australia, he tackles a difficult subject to an audience that paid for a lighthearted approach. What Australia could do, and America couldn’t. Comedic timing for a great cause. #artprotest
We all have leadership qualities. International galleries show more human strife than Canadian ones. One gallerist in South Africa told me, “Canadian art is so boring! All Landscapes!” #WhatdoCanadiansthink? Do I agree with Harper selling the Canadian Wheat Board to Saudi Arabia? Are my children safe at school? Canadian first world values were admired when I was abroad. #Trudeau seems to re-establish Canadian's inclusive voice.
We are a considerate nation with concerns.
A Canadian ‘Sorry’ is not apologetic, it is empathetic. I’m sorry you hurt yourself, because it was painful – not because I was to blame. Provocative and evocative are different things. An image you can’t un-see because your soul engaged in dialogue, doesn’t have to be aggressive, repulsive. You’re accountable only to informing your concern. A sad laugh, a happy tear, a scene that touched you, stirs up important self-discussion.
Your character shows. We can’t hide our response to the power of the image. Even dismissive politeness says something. If art doesn’t engage you on some lasting level – powerful, engaging, cathartic, meditative -- why bother make it, why own it?
NRA Question Period is romanticized image that can be beautiful and repulsive. I wanted to create an insightful, editorial that speaks of my concern. Artists can create intensity and beauty. Graceful emotional dialogue makes a very entertaining dinner guest.
Inspiring moments included #HCMA, an architect design group that is focusing on “What’s Possible?” vs “This is what we do” mindset. Starting with community, they are using their expertise to connect people, engage and activate sites in Vancouver (HCMA day). Isn’t that what architects are supposed to do? Seems they are one of the rare few.
#TiltMoments, when you can change your perspective to a problem or help others see things differently. HCMA has a different approach to playtime – a serious approach. The work is getting done, and getting noticed. Multidisciplinary design including artists in residence, interior and graphic designers. The world is finally catching up instead of trying to label the talents of renaissance artists. Join @MarkBusse creativemornings
@VanArtRental Donna Partridge compared the feeling when seeing art as the same physical emotional response seeing someone we love. Rapid heartbeat, dizziness, The Stendhal syndrome or Florence syndrome sparks in countries where people visit galleries in the summer. The value of art in a space is an emotional one. Building a relationship with artists adds to that emotional investment.
Speaking with @upwardconstruct owner Michael, I felt another kindred professional who speaks of using a green living wall on large sites - -as a gift to your neighbor vs a large concrete structure. Ways that we can build our homes and structures -- not just for us but for community benefit. What better way to make our home a treasure, when it is surrounded by a community of happiness.
Excellence is a habit, and so I have had a career, painting every day. As I now want to work as a Concept Artist/ Matte Painter -- my speed has to be up there with the best. Most people ask me how long my paintings (fine art) take, and my answer is more than a month. But Daily-ies require me to work faster. Concepts in minutes, and reiterate for my lead, to show clients, directors, and start over again. As my speed increases for Matte painting, my photo-realistic work will be back to the enjoyable months of perfection.
Portraiture is an interesting challenge to not only capture resemblance, but expression, tonality and the psychology of what we think is beautiful, what we accept as ourselves. These are digital illustrations in photoshop. No mess, no paint to mix. Although I tried to keep them to an hour time limit -- they usually took about 2-4 hours.
Like many, I have admired Ted.com. This is what the internet was made for: to bring forth great ideas that could be shared. (Their tagline is better!) I admire speakers that share insight in a funny or engaging way. In October, I was very honored and thankful that my visual expertise could help support experienced speaker Ranbir Puar at TEDxRCW.
Ranbir speaks to children about breathing in sunshine, to feel within you the magical light that can create, make your dreams come true, and exhaling that which interferes. To know that this light is your true being. It starts from your breath, at a cellular level. To know your life is to create and grow what you choose. To weed out what stops you from your life purpose. To keep breathing and nourishing yourself with your inner light.
I understood this message. Being a creator, and also being someone with childhood fears. Could my style of paintings, my illustrations be suitable for a Ted talk? I have never been a great cartoonist as I have always given into the lusciousness of the medium. The dialogue you have with watercolor seeping into the paper, or the thick paint that is creamy, or moves where you didn’t expect it to. The smudges, the smears. My work has always been about the failure. Listening to it, and accepting it, so that it can inform your next stroke. Yet it is the layers of mistakes that give 70sNonchalance and Ucluelet dimension, atmosphere.
Yes, one breath at a time, I think I have moved on. I enjoy my own process. I now appreciate my mistakes, very very much. Thank you Ranbir for making a dream come true -- to contribute to a Ted talk -- a dream I didn't realize I had until today. If you had 18 minutes to inspire a community, What would be your idea worth sharing?
Lenses, camera angles are new to me--so much visual language to learn in film! But tonal studies, I can definitely relate to being a landscape painter. Tones change dramatically as you move from foreground to mid-ground to background. Tonal studies in black and white simplify atmospheric perspective where colours relate to their surroundings. Like driving the TransCanada, our tree lined mountains are bluer in the distance, but the same mountains become green when becoming a foreground element. The contrast also changes, as the foreground trees show dark shadows (blackpoint) where the distant trees have less contrast, and the black never gets darker than a grey.
As always, the artist directs the viewer, sets the tone and mood depending on how you choose these tonalities. Start with a strong sense of light, an intention. Depth is just another tool to help direct focus. Consider areas of contrast, and how tones relate to one another to achieve a strong composition with purpose.
Enjoying a commission of stormy dramatic Tofino -- but in a colorful palette. Nice to be a bright kind of moody in the summer!